UCSC Opera Orpheus in the Underworld

UCSC Opera Orpheus in the Underworld

Thursday-Saturday 7:30-9:30pm and Sunday 3pm, May 28-31

A rollicking and irreverent spoof of the Orpheus myth, Jacques Offenbach’s Orpheus in the Underworld is most famous as the origin of the “gallop infernal”—the music now strongly associated with the can-can dance.

This operetta follows the unhappy (and unfaithful) union of Orpheus and Eurydice, as the latter’s love affair with the god of the underworld results in Eurydice relocating to hell. Cowed by Public Opinion, Orpheus makes an attempt to retrieve his wife from the underworld, but Jupiter’s involvement, along with many of the other gods of Olympus, complicates matters further.

The UCSC Orchestra ensemble and voice students are conducted by Bruce Kiesling, with direction by Sheila Willey.

Costumes by Brooke Jennings, wigs by Sharon Ridge, and set/lighting design by David Dunning.

PARKING
– Parking by permit, ParkMobile, or $11 cash/credit via the on-site parking attendant.
– Arts Lot #126 is the closest parking lot to the event
– Visitors with DMV placards or plates may park for free in DMV spaces, Medical spaces, or ParkMobile spaces without additional payment, or in timed zones for longer than the posted time.
– UCSC affiliates must purchase their permits before arriving at the event in order to receive their discounted UCSC rate. Attendants will only sell the non-affiliate-priced permits.
– More information provided by UCSC Transportation & Parking Services (TAPS)